Click to enlarge.
Saturday, September 14, 2013
Friday, September 13, 2013
Something Permanent By Cynthia Rylant and Walker Evans
Walker Evans and Cynthia Rylant form a simply magical rapport
in Something Permanent. Cynthia Rylant’s
connection to the photographs is quite eerie given that the book came to
fruition after the passing of Walker Evans.
It’s as if she has studied the photographs for hours, interviewed Evans,
painstakingly plucked the hidden words from the pictures, and shaped them into
poems. As I read the poems it became
apparent that they were sharing a conversation with the photographs, and I, an
outsider separated by experience, time and distance, was suddenly invited to
walk within the worlds created by Evans and Rylant. It was a struggle to come back, but I had to so
I could tell you to come with me next time.
Evans’ photography is stark but dense. It isn’t tidy, and sometimes the disregard is
a sharp punch – the tongue of a worn out shoe, a crude grave, signs shredded
with weather’s indifference. Oh but
Evans knew his lines; he was an instrument of light, and his photographs tell
you this. His rocking chair isn’t an
object. It still contains the person who
sat there, but not the humanness of the person, but the presence, the light.
The light could even be me or you leaving the room, the century, but
only as our physical selves.
Cynthia Rylant’s poetry reflects Evans’ photography, yes,
but it also tells us a story, a thread that reaches spectacularly for the
truth. Her words, like Evans’
photography, are simple but saturated and sprinkled with grit – a barbershop
masquerading as heaven, the tight clutch of grief that materializes in a pair
of shoes and later, a hat. While Rylant
did not experience the depression, her poems say otherwise. Clearly, Walker Evans’ light is still
reaching. It is reaching through Cynthia
Rylant.
Wednesday, September 4, 2013
Tuesday, September 3, 2013
Monday, September 2, 2013
Sunday, September 1, 2013
Sunday, August 25, 2013
Monday, August 19, 2013
Sunday, August 18, 2013
Wesley the Owl by Stacie O’Brien
Wesley the Owl is a fascinating story about the 19 years
Stacie O’Brien shares with Wesley, a barn owl.
Stacie, an employee at Caltech, is offered the opportunity to raise Wesley. She immediately accepts the
offer and throws herself into the arduous but overwhelmingly poignant task of
creating a happy and long life for her new feathered baby. Wesley thrives in Stacie’s care, and Stacie,
in return, becomes the best owl mother a baby owl could ask for. At a very funny moment in Wesley’s life his
relationship with Stacie changes, and he chooses her as a mate. Because of The Way of the Owl this switch is
quite necessary, but as you read about it you will be startled for a moment
before succumbing to the giggles. In fact, you will find yourself giggling most
of the way through this book. You will
leap up at moments, as you struggle to contain the vast joy inside your chest
with the hand that is not holding the book.
You will cackle with delight as Wesley encounters mice, magazines, water
and many other things.
Perhaps my favorite moment from the book involves one of Wesley’s
attempts to catch and eat a live mouse.
Stacie places Wesley and the mouse in the bathtub and while Wesley
doesn’t understand that he should be killing the mouse he is still
curious. The mouse of course doesn’t
really care what’s going on until Wesley becomes curious. So when Wesley plays with the mouse a bit the
mouse bites him. Wesley is
appalled. He turns back into a baby and
he is quite pouty for a moment. What a
scenario!
Towards the end of the book Stacie divulges the last name of
her best friend, who is mentioned throughout the book. It turns out that the Wendy in this book is
Wendy Francisco. NO WAY, you all are
saying. Yes, I am serious!!!! For those of you who are not familiar with
Wendy Francisco, she is the lovely lady who sings the God and Dog song. It makes perfect sense that Stacie and Wendy
are best friends, and it makes me incredibly happy.
Saturday, August 17, 2013
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